As you know, I am not big on reviews, so you should disregard the
remainder of this entry.
I recently found myself in what is called a theatre complex ,
watching an adaptation of Moli re's
Les Femmes savantes by
Freyda Thomas, who is apparently famous for playing Alenis
Grem on Deep Space Nine.
Called
The Learned Ladies, this translation to English
manages to approximate some of the rhyme of the original,
thereby making it unquestionably better than DS9.
Also noteworthy is the all-female cast, cobbled together
from two all-female theater groups. Elizabeth Neptune
plays Chrysale, occasionally channeling the spirit of
Jackie Gleason or bringing adorable ardor to such epic
lines as Tea! I won't say anything about her eyes, but
I will say something about her slippers.
Sara Montgomery, as B lise, is delightfully crazy in
her singing, dancing, costume changes, and other antics,
which serve to transform this otherwise-completely-serious
play into a comedy. I definitely won't say anything about her
shoes.
Madeleine Maby begins playing Philaminte well before
the show starts. Spoiler alert: she sits on the stage,
pretending to look through a telescope and make notes
from before the house opens until right before the start
of the first scene. I still feel exhausted by the thought
of having to do that myself.
L' pine is portrayed by Alyssa Lott, who also plays three
minor roles. Her mastery of physical comedy is not wasted
on this production.
Marta Kuersten plays Clitandre opposite Sarah Brill's
Henriette. While Marta's performance was quite good, she
looks much better as a woman. I will not be saying this
about everyone.
Katie Honaker delivers visceral smarm and sleaze as
Trissotin. Even her hairstyle is somehow evocative of
contempt.
Susan Finch plays Vadius and Le notaire. Susan was definitely
most convincing as a man. Despite mutterings to the
contrary, some suspension of disbelief was necessary for the
other male roles, but not for Vadius, oh no.
Finishing out the list we have Janna Emig as Martine,
Francesca Day as Armande, and Kathryn Alexander as Ariste,
with good performances, particularly in the second half.
Even though it didn't have Coppertop from
Strangers With Candy
and a boy-band song-and-dance cover of
To Be with You by Mr. Big,
I recommend this play.